The Oligarch’s Wife
Andrey Zvyagintsev’s “Minotaur,” winner of this year’s prestigious Grand Prix at Cannes, is the curious case of a remake that doesn’t escape its original’s orbit, and doesn’t want to. It mirrors Claude Chabrol’s 1969 erotic thriller “La Femme infidèle” (The Unfaithful Wife), the story of a businessman who murders hisContinue Reading











